![]() Starring voice performances by Michael Johnston, Caroline Kinley, Lena Headey, Jason Schwartzman, Mark Strong, and Carl Weathers. In an attempt to escape the musical legacy of his uncle, a teenage guitar prodigy embarks on a psychedelic journey to inspire his new stage persona, searching for who he isn’t in an adventure spanning stolen opera houses, melodic alien landscapes, and the impossible depths of the Cosmic Extraordinary. “I want them to feel like they’re wearing a piece that they will cherish.” And with that, Ahluwalia is fast becoming another chapter in London’s long and rich multicultural history, a designer that fashion students may well study for years to come.On the eve of his first performance, Francis Vendetti struggles with the legacy of a dead folk legend and the cosmic wanderings of his own imagination. “I want people to feel happy and confident when they wear my clothes,” Ahluwalia concludes. The rapturous applause that erupted when Ahluwalia came out to take her final bow was a testament to the show’s sense of pure joy. This was a collection that will resonate with the brand’s community and anyone who has felt underrepresented or ignored. It’s this clear vision and dedication to discovery that means Ahluwalia keeps gaining momentum. “Figure out what makes you different from everyone else and be clear on your vision.” “I would encourage them to really figure out what they want to say or communicate or explore,” she says. It’s in line with Ahluwalia’s own advice for aspiring designers. Such a huge archive gives students the opportunity to find inspiration in the achievements of those who are lesser known. The show coincides with a collaboration between the British Fashion Council and the British Library who are hosting a competition for students to create fashion portfolios inspired by the library’s unique collections. Ahluwalia’s teenage bedroom was “full of magazines” from when she was “obsessed with buying magazines and reading the whole thing cover to cover.” This hunger for knowledge continues to be part of her process today. This physical primary research can sometimes lead to uncovering facts that are hard to find online.Īs much as the internet is a vastly immense resource, sometimes you can’t beat a good old fashioned book if you want to discover something that no one else is talking about. “I can research topics I am interested in while designing new and exciting clothes.” To start each collection, she writes down her ideas and initial thoughts, before looking at lots of books and visiting galleries to collect research. “I really love the freedom that comes with a lot of the parts of my job,” Ahluwalia explains. Much of the research for this collection took place at the British Library. Tailored tracksuits, polo shirts and varsity jackets made up this season’s streetwear offering. ![]() Elsewhere, casually unbuttoned shirts, silk shorts and cowl neck dresses reference a timeless summer wardrobe. ![]() ![]() Here, though, their vibrant energy and effervescence shines through across silk two-pieces, double breasted suits and patterned cowboy boots. This inspiration is played out in flower motifs that nod to the colloquialism of ‘giving someone their flowers.' The three icons Ahluwalia looked to this season each experienced a kind of cultural erasure that is all too common for creatives of colour.
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