![]() Stretching out his arms, he casts a dark shadow over the village and summons ghosts, including the spirits of hanged criminals (who pass through the noose a second time as they rise from their graves), fallen warriors in the moat and grounds of a ruined castle and the souls of all who are not buried in sacred ground. The peak is revealed to be Chernabog's wings, which he spreads out as he looks at the village down below. The segment takes place in a mountainous area, in which a village is overlooked by Bald Mountain. It showcases the animation of Vladimir Tytla and the style of Kay Nielsen, as well as the longest shot ever produced in the multi-plane camera (in the procession). ![]() It is perhaps the most famous sequence in Fantasia, if not, second to The Sorcerer's Apprentice. He is driven away by the light of the dawn, and a procession of figures walks up a hill to witness the sunrise. ![]() Deems Taylor introduces it as the conflict between the profane (represented by Night on Bald Mountain) and the sacred (represented by Ave Maria).Īt Walpurgis Night (the Witches' Sabbath), Chernabog, God of evil, emerges from the peak of Bald Mountain (in reality Mount Triglaf, near Kyiv in Ukraine) to summon all of his minions, including ghosts, vultures, demons, hags, and harpies, who dance furiously as he throws them into the mountain's fiery pit. This version from Ol’ Blue Eyes is one that not many people know about, but it’s beautifully performed in Frank’s own unique way.Westminster Choir with soloist Julietta Novis Video Source Night on Bald Mountain/Ave Maria is the seventh and final segment of Fantasia, following the medley containing compositions of the same name by Modest Mussorgsky and Franz Schubert. The singer-songwriter performs a subdued but heartfelt version of the song. In the video of this stunning performance by Australian soprano Mirusia and legendary violinist Andre Rieu, the camera keeps zooming in on a woman overcome with emotion, dabbing at her eyes. Ms Streisand’s marvellous version of the song appeared on her first Christmas album, released in 1967. The Canadian diva puts her pipes to full use in this incredible interpretation of the song. The deeply-mourned Italian tenor had one of the most powerful renditions of the hymn, with his own eyes watering as he got swept up in the emotion.īeyoncé’s version may not be a favourite with many classical music purists, but Queen Bey transformed a beautiful hymn into an ineffable love song with her unmistakeable voice. If you’ve heard a version of the song on Youtube that’s attributed to Maria Callas, it’s probably soprano Barbara Bonney’s, as La Divina never performed the Schubert piece.Ī dignified and emotional recording by a relatively low-profile singer from Utah.īocelli can always be relied on to tug at our heartstrings with his angelic voice, and this is no exception. Here are 10 of our favourites: Barbara Bonney The opening words and refrain of Ellen's song led to the idea of adapting Schubert's melody as a setting for the full text of the traditional Roman Catholic prayer "Ave Maria", and it has been recorded by different artists hundreds of times. ![]() In the poem, the titular character Ellen Douglas sings a prayer addressed to the Virgin Mary, calling upon her for help. However, the composer of the melody, Franz Schubert, did not write it as a hymn, but as a setting of a song from Walter Scott's popular epic poem The Lady of the Lake. Ave Maria is one of the most popular and moving wedding songs of all time.
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